Faux finishes. Cloth work. Texturing. Spraying. Drawing and drawing techniques. Stencilling. Trompe l’oeil. Working at height. Signwriting. Polycarving. Sculpture. Calligraphy. Trained in basic carpentry. Teamwork. Leadership. Budgeting and scheduling. Book-keeping and accountancy. First Aid. Experience with both Windows and Mac operating systems.

DBS check. Full, clean, UK driving licence.

Professional experience


Roundhouse & Hackney Empire, January 2019
Funeral Flowers, designed by Khadija Raza, directed by Jessica Edwards, scenic artist

Hampstead Theatre, January 2019
The Haystack, designed by Tom Piper, directed by Roxana Silbert, scenic artist

Bunker Theatre, November 2019
My White Best Friend, designed by Khadija Raza, directed by Milli Bhatia, scenic artist

Rocket Scenery, October 2019
Scottish Ballet’s Snow Queen, designed by Lez Brotherston, assistant scenic artist

Hampstead Theatre, October 2019
Botticelli in the Fire, designed by James Cotterill, dir. Blanche McIntyre, scenic artist

Hampstead Theatre, August 2019

The King of Hell’s Palace, designed by Tom Piper, dir. Michael Boyd, scenic artist (texturing)

Boomtown Fair, August 2019

Copper County, Playbutton Studios, scenic artist

Gaiety Theatre, July 2019

Singing in the Rain, designed by Rebecca Brower, dir. Chris Cuming, scenic artist

National Youth Theatre at Latitude Festival, July 2019

The Astronaut’s Wives Club, designed by Simon Wells, dir. Bea Holland, scenic artist

Hampstead Theatre, April 2019

Jude, April – June 2019, designed by Ashley Martin-Davis, dir. Edward Hall, scenic artist (woodgraining)

Soho Theatre, June 2018

Flutter, June 2018, Compulsive Theatre company, lead scenic artist (signwriting, woodgraining)

Southwark Playhouse, May 2018

Confidence, May - June 2018, designed by Amelia Ray Hankin, dir. Rob Drummer, scenic artist (dirtying down, tromp l’oeil tiles, woodgraining)

Royal Central School of Speech and Drama, April 2018

The Rover, April 2018, designed by Manuela Harding, dir. Ben Naylor and Anna Healey, scenic artist (cobblestone floor)
Three Sisters, April 2018, designed by Max Dorey, dir. Mike Alfreds, scenic artist (imitation Oriental silk screens)

Dominion Theatre, March 2018
Bat Out of Hell, April 2018 - Present, designed by Jon Bausor, dir. Jay Scheib, assistant scenic artist (illustrative murals front of house, graffiti, polycarving, dirtying down)

Jermyn Street Theatre, February - March 2018
The Dog Beneath the Skin, March 2018, designed by Rebecca Brower, dir. Jimmy Walters, head of scenic art (woodgraining, texturing)

Park Theatre, January 2018
Rothschild & Sons, January 2018, designed by Rebecca Brower, dir. Jeffrey B. Moss, scenic artist (woodgraining, gauze painting)

The Vaults, January 2018
The Crystal Egg Live, January 2018, designed by Jason Kelvin, dir. Elif Knight, lead scenic artist (sign writing, dirtying down)


Hampstead Theatre, December 2017

Mother Christmas, December 2017, designed by Sarah Beaton, dir. Donnacadh O’Brian, scenic artist (wallpapering)

Trafalgar Studios, December 2017

The Grinning Man, December 2017 - May 2018, designed by Jon Bausor, dir. Tom Morris, assistant scenic artist (creating an immersive experience front of house; dirtying down)

Hampstead Theatre, October 2017

The Firm, October 2017, designed by Alex Marker, dir. Denis Lawson, assistant scenic artist (bricks, imitation granite, spraying)

National Youth Theatre, July 2017

Three, July 2017, designed by Kate Lane, dir. Anna Niland, lead scenic artist (dirtying down, stone patio, laying floorboards)

Paint calls


Southwark Playhouse, January 2019
Cops, designed by Anthony Lamble, directed by Andy Jordan, scenic artist

Hampstead Theatre, December 2019
Ravens: Spassky vs. Fischer, designed by Jamie Vartan, dir. Annabelle Comyn, scenic artist

Arcola Theatre, March 2019

Little Miss Sunshine, April 2019, scenic artist

Watford Palace Theatre and national tour, February 2019

Good Dog, February - March 2019, designed by Amelia Jane Hankin, dir. Natalie Ibu, scenic artist

Hampstead Theatre

The Phlebotomist, April - May 2018, designed by Rosanna Vize, dir. Sam Yates, scenic artist
Acceptance, March 2018, designed by Frankie Bradshaw, dir. Anna Ledwich, scenic artist
Slaves of Solitude, October 2017, designed by Tim Hatley, dir. Jonathan Kent, scenic artist

Work experience

Royal Opera House, October 2018

Royal National Theatre, September 2018

Hadestown, November 2018, designed by Rachel Hauck, directed by Rachel Chavkin, assistant scenic artist (texturing, rust, dirtying down)
I’m Not Running, October 2018, assistant scenic artist (paintcall)

Watford Palace Theatre, August 2018

Jack and the Beanstalk, December 2018, designed by Cleo Pettitt, assistant scenic artist (cloth work, glittering, lining in)

Capital Scenery, May 2018
La Traviata, Opera Holland Park, 2018, designed by Cordelia Chisholm, dir. Rodula Gaitanou, assistant scenic artist (gilding)

Cosi von Tutti, Opera Holland Park, 2018, Dir. Oliver Platt, designed by Alyson Cummins, assistant scenic artist (vac form and latex cast cutting, sorting, fixing and painting)

London Coliseum, December 2017

Project Polunin’s Satori, December 2017, designed by Rebecca Brower and David LaChapelle, dir. Gabriel Dell, scenic artist (paintcall)

Watford Palace Theatre, August 2017

Aladdin, December 2017, designed by Cleo Pettitt, assistant scenic artist (cloth work, glittering, lining in)

Experience whilst training

Royal Central School of Speech and Drama

The Life, March 2019, designed by Jacqueline Gunn, dir. James Hiller, head of scenic art (cloth work, graffiti, metal, dirtying down, spraying)
I’m Afraid of Amerikans, June 2018, designed by Laura Foy, dir. Sue Dunderdale, head of scenic art (spattering, floor work)

A Chorus Line, March 2018, designed by Sara Perks, dir. Ed Hughes, assistant scenic artist (gilding, gauze painting)
Her Naked Skin, November 2017, designed by Grace Santry, dir. Yael Shavit, assistant scenic artist (concrete, floor work)

Present Laughter, November 2017, designed by Norman Coates, dir. Angie Langfield, assistant scenic artist (spraying, woodgraining, cloth work, stencilling)
The Empress, June 2017, designed by Diego Plutarch, dir. Pooja Ghai, assistant head of scenic art (cloth work, vac form bricks, sign writing, texturing, dirtying down)



BA (Hons) Theatre Practice: Scenic Art, Royal Central School of Speech and Drama, 2016 - 2019

References available on request.