Professional experience 

Hampstead Theatre, October - December 2021
Folk, designed by Rose Revitt, directed by Roxana Silbert, lead scenic artist

Full House Theatre Company, November 2021
Elves & The Shoemaker, designed by Sheree Paton, scenic artist

Theatre 503, October 2021
Milk and Gall, designed by Mona Camille, directed by Lis Spirling, scenic artist

Arts Theatre, October 2021
The Choir of Man, designed by Verity Sadler, lead scenic artist

Zodiac Bar, October & November 2021
Designed by Ellen Forbes, artist

The Yare Gallery, October 2021
Mural, designed by Madeleine Young, artist

Park Theatre, October 2021
A Place For We, designed by Louie Whitemore, directed by Michael Buffong, scenic artist (signwriting)

Southwark Playhouse, September 2021
Anything Is Possible If You Think About It Hard Enough, designed by Camilla Clarke & Ceci Calf, directed by Katie Bludgen, scenic artist

National Youth Musical Theatre, August 2021
The Hunchback of Notre Dame, designed by Ryan Dawson Laight, directed by Alex Sutton, lead scenic artist

Waterperry Opera Festival, July 2021
The Elixir of Love, designed by Ana Ines Jabres, directed by Dan Ayling, scenic artist (signwriting)

Hampstead Theatre, June 2021
Raya, designed by Moi Tran with Mona Camille, directed by Roxana Silbert, scenic artist

The Finished Effect, ongoing
Specialist finisher (faux effects, interior decorating)

Immersive Everywhere, March 2021
Doctor Who: Time Fracture, production designed by Rebecca Brower, scenic artist (ageing and dirtying down, texturing)

Totom Construction, February 2021
Upcoming Sky Original drama, directed by Michael Winterbottom, set painter (flat decorating)

Croxford and Saunders, October - November 2020
Specialist finisher (faux effects; marbling, woodgraining)

Two Brothers Productions, September 2020
Upcoming ITV drama, designed by Candida Otton, scenic artist (mural)

Love Productions, August 2020
The Great British Sewing Bee - 2020 Specials: Celebrity Christmas Special, designed by Peter Gordon, scenic artist (signwriting)

The Opera Story, March 2020
Pandora’s Box, designed and directed by Aylin Bozok, scenic artist (ageing, dirtying down)

Hampstead Theatre, February 2020
Dumbwaiter, designed by James Perkins, directed by Alice Hamilton, scenic artist (tiles, wallpapering, dirtying down, ageing)

Waterstones Piccadilly, February 2020
The Mercies installation, designed by Hannah Postlethwaite, scenic artist (Norwegian folk art)

Roundhouse & Hackney Empire, January 2020
Funeral Flowers, designed by Khadija Raza, directed by Jessica Edwards, scenic artist

Hampstead Theatre, January 2020
The Haystack, designed by Tom Piper, directed by Roxana Silbert, scenic artist

Bunker Theatre, November 2019
My White Best Friend, designed by Khadija Raza, directed by Milli Bhatia, scenic artist

Rocket Scenery, October 2019
Scottish Ballet’s Snow Queen, designed by Lez Brotherston, assistant scenic artist

Hampstead Theatre, October 2019
Botticelli in the Fire, designed by James Cotterill, dir. Blanche McIntyre, scenic artist

Hampstead Theatre, August 2019
The King of Hell’s Palace, designed by Tom Piper, dir. Michael Boyd, scenic artist (texturing)

Boomtown Fair, August 2019
Copper County, Playbutton Studios, scenic artist

Gaiety Theatre, July 2019
Singing in the Rain, designed by Rebecca Brower, dir. Chris Cuming, scenic artist

National Youth Theatre at Latitude Festival, July 2019
The Astronaut’s Wives Club, designed by Simon Wells, dir. Bea Holland, scenic artist

Hampstead Theatre, April 2019
Jude, April – June 2019, designed by Ashley Martin-Davis, dir. Edward Hall, scenic artist (woodgraining)

 

Royal National Theatre, September 2018
Hadestown, November 2018, designed by Rachel Hauck, directed by Rachel Chavkin, assistant scenic artist (work experience) (texturing, rust, dirtying down) 

 

Watford Palace Theatre, August 2018
Jack and the Beanstalk, December 2018, designed by Cleo Pettitt, assistant scenic artist (work experience) (cloth work, glittering, lining in)


Soho Theatre, June 2018
Flutter, June 2018, Compulsive Theatre company, lead scenic artist (signwriting, woodgraining)

 

Capital Scenery, May 2018
Cosi von Tutti, Opera Holland Park, 2018, Dir. Oliver Platt, designed by Alyson Cummins, assistant scenic artist (work experience) (vac form and latex cast cutting, fixing and painting)

La Traviata, Opera Holland Park, 2018, designed by Cordelia Chisholm, dir. Rodula Gaitanou, assistant scenic artist (work experience) (gilding)

 

Southwark Playhouse, May 2018
Confidence, May - June 2018, designed by Amelia Ray Hankin, dir. Rob Drummer, scenic artist (dirtying down, tromp l’oeil tiles, woodgraining)

Royal Central School of Speech and Drama, April 2018
The Rover, April 2018, designed by Manuela Harding, dir. Ben Naylor and Anna Healey, scenic artist (cobblestone floor)


Three Sisters, April 2018, designed by Max Dorey, dir. Mike Alfreds, scenic artist (imitation Oriental silk screens)

Dominion Theatre, March 2018
Bat Out of Hell, April 2018 - Present, designed by Jon Bausor, dir. Jay Scheib, assistant scenic artist (illustrative murals front of house, graffiti, polycarving, dirtying down)

Jermyn Street Theatre, February - March 2018
The Dog Beneath the Skin, March 2018, designed by Rebecca Brower, dir. Jimmy Walters, head of scenic art (woodgraining, texturing)

Park Theatre, January 2018
Rothschild & Sons, January 2018, designed by Rebecca Brower, dir. Jeffrey B. Moss, scenic artist (woodgraining, gauze painting)

The Vaults, January 2018
The Crystal Egg Live, January 2018, designed by Jason Kelvin, dir. Elif Knight, lead scenic artist (sign writing, dirtying down)

Hampstead Theatre, December 2017
Mother Christmas, December 2017, designed by Sarah Beaton, dir. Donnacadh O’Brian, scenic artist (wallpapering)

Trafalgar Studios, December 2017
The Grinning Man, December 2017 - May 2018, designed by Jon Bausor, dir. Tom Morris, assistant scenic artist (creating an immersive experience front of house; dirtying down)


Hampstead Theatre, October 2017
The Firm, October 2017, designed by Alex Marker, dir. Denis Lawson, assistant scenic artist (bricks, imitation granite, spraying)

Watford Palace Theatre, August 2017

Aladdin, December 2017, designed by Cleo Pettitt, assistant scenic artist (work experience) (cloth work, glittering, lining in)

National Youth Theatre, July 2017
Three, July 2017, designed by Kate Lane, dir. Anna Niland, lead scenic artist (dirtying down, stone patio, laying floorboards)

Paintcalls

Finborough Theatre, September 2021
How To Survive An Apocalypse, designed by Ceci Calf, scenic artist

Hampstead Theatre

Malindadzimu, September 2021, designed by Zoe Hurwitz, scenic artist

The Phlebotomist, April - May 2018, designed by Rosanna Vize, dir. Sam Yates, scenic artist


Acceptance, March 2018, designed by Frankie Bradshaw, dir. Anna Ledwich, scenic artist


Slaves of Solitude, October 2017, designed by Tim Hatley, dir. Jonathan Kent, scenic artist 

Mischief Theatre, December 2020
Mischief Movie Night, scenic artist (glittering)

Theatre Royal Drury Lane, December 2020
Ghost tour, scenic artist (ageing)

Southwark Playhouse, January 2019
Cops, designed by Anthony Lamble, directed by Andy Jordan, scenic artist

Hampstead Theatre, December 2019
Ravens: Spassky vs. Fischer, designed by Jamie Vartan, dir. Annabelle Comyn, scenic artist

Arcola Theatre, March 2019
Little Miss Sunshine, April 2019, scenic artist


Watford Palace Theatre and national tour, February 2019
Good Dog, February - March 2019, designed by Amelia Jane Hankin, dir. Natalie Ibu, scenic artist

London Coliseum, December 2017

Project Polunin’s Satori, December 2017, designed by Rebecca Brower and David LaChapelle, dir. Gabriel Dell, scenic artist (paintcall)

Experience whilst training 

Royal Central School of Speech and Drama
The Life, March 2019, designed by Jacqueline Gunn, dir. James Hiller, head of scenic art (cloth work, graffiti, metal, dirtying down, spraying)


I’m Afraid of Amerikans, June 2018, designed by Laura Foy, dir. Sue Dunderdale, head of scenic art (spattering, floor work)

 

A Chorus Line, March 2018, designed by Sara Perks, dir. Ed Hughes, assistant scenic artist (gilding, gauze painting)

Her Naked Skin, November 2017, designed by Grace Santry, dir. Yael Shavit, assistant scenic artist (concrete, floor work)


Present Laughter, November 2017, designed by Norman Coates, dir. Angie Langfield, assistant scenic artist (spraying, woodgraining, cloth work, stencilling)


The Empress, June 2017, designed by Diego Plutarch, dir. Pooja Ghai, assistant head of scenic art (cloth work, vac form bricks, sign writing, texturing, dirtying down)

Education

BA (Hons) Theatre Practice: Scenic Art, Royal Central School of Speech and Drama, 2016 - 2019